There are some creative options out there, like the reimagined interiors from Modsy, but I just couldn’t settle for anything less than the actual sets. Once I saw my coworkers using this feature with images from other television shows and movies, I had to make sure The Golden Girls were represented, too. Luckily, Zoom has a cool feature that lets you use your own photos as virtual backgrounds. I don’t mind it too much, to be honest, but it can get a little boring. One of the moments Galliano says marked this shift was the Queer British Art exhibition at London’s Tate Britain in 2017, marking the 50th anniversary of decriminalisation.īut a permanent, national museum marks another step forward, making sure that “queer storytelling and histories are not just about anniversaries” – and that those cis, straight masses are involved, too.Well, hello there! Yes, it’s yours truly in The Golden Girls kitchen! Don’t you wish you could go there in real life? I know I do! Like a lot of people, I’ve been working from home during the COVID-19 outbreak, and this includes attending lots of online meetings in Zoom. Queer Britain is located in Kings Cross, London. Queer Britain is only possible because of the “mass awareness” Galliano talks about, the cultural shift that has seen the masses celebrating and embracing LGBT+ history.
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“I wouldn’t be surprised if some of those placards from the protest to ban trans conversion therapy ,” he added.
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But there have always been trans people, there always will be trans people, and they deserve exactly the same rights, support and love.” “I think that will be important to remember… Trans people are having to have the idea of thier existence up for negotiation. “I’m sad to say that I think some of the attempts to split off the T from the LGB ,” said Galliano. Of course, queer history is still being made, and Queer Britain will be continously evolving. “We had an opportunity to create a platform, to create space, filled with trans people’s stories, women’s stories, stories of people of colour, that would look at some of the hard stories, but also would be a joyous celebration of those communities as well.” Queer history is being made right now “This wasn’t about creating a space that was, again, just about men, or just about white men,” he explained. Queer Britain explores the both the difficult and joyous stories of our community. So that we can all imagine the best of all possible futures together.”īeing the first of its kind makes the opening of Queer Britain high stakes, and Galliano has put a lot of thought into inclusivity – the museum is free, it’s accessible, and it fiercely emcompasses all folk under the queer umbrella. “I want people to feel like they’re connected to a deeper heritage, that they haven’t just emerged from nowhere. I want people to look backwards in order to be able to understand who they are now. “I want people to be seen, to feel celebrated,” he said. Queer heritage and LGBT+ cultural history is unique in that it’s rarely passed down through families, or through communities based in a certain location, and so is jagged and harder to preserve.īut this preservation is vital, said Galliano, and Queer Britain has the opportunity to teach young LGBT+ people about their culture and history. He added: “So, to have a space where I could have walked in and been un-complicatedly celebrated and welcomed, and had a place to explore where I’d come from… That would have been enormously valuable.” Queer Britain director Joseph Galliano speaks on stage at the 2019 Rainbow Honours. “I just knew when I saw this… I knew why they’d written that, they’ve had to assert themselves in the margins of a book.”ĭiscovering Robinson’s iconic 1978 song also made Galliano “feel seen”: “It also made me feel that not only was I OK for being who I was, but maybe I could be a bit pissed off at the way that people have been treated.” “I’m going to misquote this, but they’d written: ‘One more fight, and I will laugh to scorn the scoffers of my fate, and I will conquer.’ They had underlined, ‘I will conquer.’
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In the copy of De Profundis, he said, “somebody had written up a poem”. The two things Galliano found were a 1905 copy of Oscar Wilde’s De Profundis in a jumble sale at the age of 14, and Tom Robinson’s song “Glad to be Gay”. “I had started down the route of self-harm, a kind of completely understandable response to that kind of alienation, and I found two things.” Queer Britain’s main gallery space. “I’d been kind of really quite depressed about realising that I was not like other boys,” he recalled.